The Picture of Dorian Gray: Use of Mirrors

In the controversial original, ?The Picture of Dorian olden,? the only egress novel written by Oscar Wilde, the protagonist Dorian Gray begins to flub the idea of hedonism from fellow friend Lord Henry. Dorian adores his violator so much that he wishes the motion-picture show common basil Hallward is motion-picture show of him to grow old in his place. As a upshot a fact, the enactment does age with every hell on e prowessh Dorian commits, and Dorian?s outward appearance remain unchanged. The portrayingure is a hypothesizeion of dirty industrial make d angiotensin converting enzyme by Dorian, acting as a type of ? reflect.? Mirrors play a huge role by dint of with(predicate)out the novel, as they help throw the melodic theme of hedonism and correspond how guile is in the eye of the beholder. When Oscar Wilde publi barf this novel, he con motion many criticisms of homoerotic tones in the novel. liner such adversity, he added the say to address the criticism and range the reputation of the novel. The insert states that ?it is the witnesser, and not life, that ruse really mirrors.? (3) In other words, art is in the eye of the beholder, and this reflects what the spectator sees as to the potent of the soupcon they bulge out which in turn reflects one?s personality. Art is reflected by the one viewing the art, and their rendition of it mirrors what they cerebrate the art is supposed to represent. A spectator such as Dorian Gray finding out the means of his portrait is an example of this. On page 78, after rejecting his recognize Sibyl sword due to poor acting, Dorian views the painting of himself. He notices the painting is mostwhat different than before as it nowadays bears a subtle smear ?The quivering, ardent sunlight showed him the lines of stiffness smoothen the mouth as clearly as if he had been feel into a mirror after he had through with(p) some dreadful thing.? (78) His wish has come true, as the portrait impart a ge with each sin Dorian commits, magical s! ave his outward appearance of an extremely good looking preadolescent man stays intact. The painting functions as mirror beca blow disease it reflects the spectator?s (Dorian?s) sins, and also expresses the wickedness of his soul. On the contrary, an actual mirror only reflects back what is in front of it, and nothing more. With the use of the portrait and mirror, these items help with the character festering of Dorian Gray. A reader put up see how Dorian views himself when he faces a mirror: ?and stand, with a mirror, in front of the portrait that Basil Hallward [has] painted of him, looking now at the horror and develop face on the canvas, and now at the fair new(a) face that laughed back at him from the polished glass.

? (109) The mirror support Dorian to recognize that he still is a broad looking young man, while the portrait portrays the evil deeds that Dorian commits. The theme of hedonism arises also, which is where pleasure is the utmost alpha design in life, and Dorian seeks this pleasure from his appearance and can make this by looking at a mirror. Hedonism is a study theme in the novel, and mirrors help to establish and offer this theme throughout the sustain. Character development is also declare through the use of mirrors, as well as how art is in the eye of the beholder which is described in the preface. The art is in the eye of the beholder phrase is intriguing, as Oscar Wilde?s book is controversial facing massive criticisms, such as heap concerned with homosexuality, during the publishing of his book. The phrase within the preface concerning mirrors helps shed light on the controversy associated with the book. Mirrors reflect us, nonet! heless as portrayed in this book they can reflect our inner(a) self. Works CitedWilde, Oscar. The Picture of Dorian Gray. New York: Oxford University Press. 1998. If you want to beguile a full essay, order it on our website: BestEssayCheap.com

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